This Fall, our school’s auditorium was transformed into a shimmering underwater world as students took the stage for the highly anticipated production of The Little Mermaid. The musical ran for three consecutive nights, and every single performance sold out, marking one of the most successful shows our drama department has seen in years.
From the moment the curtain rose on opening night, the audience was swept beneath the waves into Ariel’s dreamy, music-filled world. Stunning costumes, imaginative sets, and vibrant lighting brought the ocean to life, while the cast’s energy and talent made familiar Disney classics feel fresh and exciting.
Senior Gracelyn Just shined as Ariel, delivering emotional vocals and a heartfelt performance that earned enthusiastic applause. Brody Arnold brought charm and comedic timing to Sebastian, while Pyper Hiebert’s striking portrayal of Ursula turned each dramatic entrance into a showstopping moment.
One of the standout elements of the production was its choreography. Under the guidance of Dillon Boldt, Ashtyn Matlock, and Mrs. Just, the cast moved fluidly across the stage, capturing the buoyant, underwater feel of life “under the sea.” Ensemble numbers featured synchronized movement, clever staging, and high-energy dancing that kept the audience captivated.
The set design also made a lasting impression. Students under the guidance of Mr. Dalke built intricate pieces—from coral reefs and underwater caves to Prince Eric’s ship and King Triton’s throne room. These sets, combined with creative lighting effects, transported the audience from the ocean floor to the world above with each scene change.
Audience members praised the production’s creativity, professionalism, and the joy it brought to the school community. With the final curtain falling on Saturday night, The Little Mermaid leaves behind not only memorable performances but also a milestone for our performing arts program. If this year’s turnout is any indication, the future of theater at our school is bright—and we can’t wait to see what’s next.
By Preston D’Albini and Braxton Hiebert
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